Uncle Tom's Cabin

Uncle Tom's Cabin

by Harriet Beecher Stowe

Narrated by LibriVox Community

 — 18 hours, 6 minutes

Uncle Tom's Cabin

Uncle Tom's Cabin

by Harriet Beecher Stowe

Narrated by LibriVox Community

 — 18 hours, 6 minutes

Audiobook (Digital)

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Overview

Among the most “banned” books in the United States, Uncle Tom's Cabin; or, Life Among the Lowly is a novel by American author Harriet Beecher Stowe which treats slavery as a central theme. Stowe was a Connecticut-born teacher at the Hartford Female Academy and an active abolitionist.

The novel is believed to have had a profound effect on the North's view of slavery. In fact, when he met Harriet Beecher Stowe, President Lincoln is said to have commented, “So you're the little lady whose book started the Civil War.” First published on March 20, 1852, the story focuses on the tale of Uncle Tom, a long-suffering black slave, the central character around whose life the other characters—both fellow slaves and slave owners-revolve. The novel depicts the harsh reality of slavery while also showing that Christian love and faith can overcome even something as evil as enslavement of fellow human beings.

The listener is about to enter a world rich with diverse characters. In order to differentiate between the characters, the reader has given each, his/her own voice. As an adult male reader, however, the reader's representation of women and children will, necessarily be less than adequate. He asks for your indulgence.


Editorial Reviews

Publishers Weekly - Audio

09/29/2014
Berneis gives a bravura performance in the latest audio edition of this classic tale. First published in 1851, Stowe’s novel focuses on the stories of two black slaves. The first is young Eliza, who makes a desperate run for freedom when she discovers that her son is about to be sold and taken away from her. The second is Uncle Tom, who is about to be sold by the masters he loves and trusts. Rather than run, he accepts his fate, holding on to his Christian faith to carry him through these tribulations. Both characters long for the peace that would come with the release of their bonds, and both, after much heartbreak, troubles and tears, find that peace, but in very different ways. Berneis is a consummate storyteller. She gives the book’s many characters distinct, individual voices that nimbly flow from one line to another. Her reading is simple and easy to listen to, even when the words and situations are disturbing. This is a powerful antislavery book that still resonates, over 100 years since its initial publication, and Berneis is an excellent choice to bring Stowe’s provocative novel to life. (May)

From the Publisher

"Shortly after its publication and within Stowe's lifetime, it transcended the category of literature to become that rarest of products: a cultural artifact; a Rosetta stone for black images in American fiction, theater, and film—not so much a novel, one might say, as an experience inseparable from the events that precipitated the Civil War. ('So this,' Abraham Lincoln said, famously, when he met Stowe, 'is the little lady who wrote the book that made this great war.') It has been the Urtext or common coin for discussions about slavery for a century and a half, one woman's very influential interpretation of the Peculiar Institution—an interpretation that we may love or hate, admire or despise, defend or reject, in whole or in part. It is nonetheless a story that so permeates white popular and literary culture, and sits so high astride nineteenth-century American fiction, that it simply can never be ignored." —from the Introduction by Charles Johnson

JULY 2009 - AudioFile

Stowe may have intended UNCLE TOM'S CABIN to be a political statement, but she also created an unforgettable story. In telling the story of the honest slave Tom, she vividly brings the hardships of slavery before the listener. Richard Allen lends his expert narration to this classic. In a deep, friendly voice, he movingly reads the novel. His articulate narration is augmented by his vocal characterizations, which he executes with careful attention, giving each character a distinctive voice. Tom's deep, somber voice almost resonates, while the cruel slave owner, Simon Legree, speaks in a raspy vernacular. Allen masterfully elicits an array of Southern dialects for Stowe's variety of characters. His thoughtful, engaged performance creates a memorable audio experience. D.M.W. © AudioFile 2009, Portland, Maine

Product Details

BN ID: 2940170366309
Publisher: LibriVox
Publication date: 08/25/2014
Sales rank: 286,870

Read an Excerpt

In Which the Reader Is Introduced to a Man of Humanity

Late in the afternoon of a chilly day in February, two gentlemen were sitting alone over their wine, in a well-furnished dining parlor, in the town of P-------, in Kentucky. There were no servants present, and the gentlemen, with chairs closely approaching, seemed to be discussing some subject with great earnestness.

For convenience sake, we have said, hitherto, two gentlemen. One of the parties, however, when critically examined, did not seem, strictly speaking, to come under the species. He was a short, thick-set man, with coarse, commonplace features, and that swaggering air of pretension which marks a low man who is trying to elbow his way upward in the world. He was much over-dressed, in a gaudy vest of many colors, a blue neckerchief, bedropped gayly with yellow spots, and arranged with a flaunting tie, quite in keeping with the general air of the man. His hands, large and coarse, were plentifully bedecked with rings; and he wore a heavy gold watch-chain, with a bundle of seals of portentous size, and a great variety of colors, attached to it, --which, in the ardor of conversation, he was in the habit of flourishing and jingling with evident satisfaction. His conversation was in free and easy defiance of Murray's Grammar, and was garnished at convenient intervals with various profane expressions, which not even the desire to be graphic in our account shall induce us to transcribe.

His companion, Mr. Shelby, had the appearance of a gentleman; and the arrangements of the house, and the general air of the housekeeping, indicated easy, and even opulent circumstances. As we before stated,the two were in the midst of an earnest conversation.

"That is the way I should arrange the matter," said Mr. Shelby.

"I can't make trade that way--I positively can't, Mr. Shelby," said the other, holding up a glass of wine between his eye and the light.

"Why, the fact is, Haley, Tom is an uncommon fellow; he is certainly worth that sum anywhere,--steady, honest, capable, manages my whole farm like a clock."

"You mean honest, as niggers go," said Haley, helping himself to a glass of brandy.

"No; I mean, really, Tom is a good, steady, sensible, pious fellow. He got religion at a camp-meeting, four years ago; and I believe he really did get it. I've trusted him, since then, with everything I have,--money, house, horses,--and let him come and go round the country; and I always found him true and square in everything."

"Some folks don't believe there is pious niggers, Shelby," said Haley, with a candid flourish of his hand, "but I do. I had a fellow, now, in this yer last lot I took to Orleans--'t was as good as a meetin, now, really, to hear that critter pray; and he was quite gentle and quiet like. He fetched me a good sum, too, for I bought him cheap of a man that was 'bliged to sell out; so I realized six hundred on him. Yes, ,I consider religion a valeyable thing in a nigger, when it's the genuine article, and no mistake."

"Well, Tom's got the real article, if ever a fellow had," rejoined the other. "Why, last fall, I let him go to Cincinnati alone, to do business for me, and bring home five hundred dollars. 'Tom,' says I to him, 'I trust you because I think you're a Christian--I know you wouldn't cheat.' Tom comes back, sure enough; I knew he would. Some low fellows, they say, said to him--`Tom, why don't you make tracks for Canada?' 'Ah, master trusted me, and I couldn't,'--they told me about it. I am sorry to part with Tom, I must say. You ought to let him cover the whole balance of the debt; and you would, Haley, if you had any conscience."

"Well, I've got just as much conscience as any man in business can afford to keep,--just a little, you know, to swear by, as 't were," said the trader, jocularly; "and, then, I'm ready to do anything in reason to 'blige friends; but this yer, you see, is a leetle too hard on a fellow--a leetle too hard." The trader sighed contemplatively, and poured out some more brandy.

"Well, then, Haley, how will you trade?" said Mr. Shelby, after an uneasy interval of silence.

"Well, haven't you a boy or gal that you could throw in with Tom?"

"Hum!--none that I could well spare; to tell the truth, it's only hard necessity makes me willing to sell at all. I don't like parting with any of my hands, that's a fact."

Here the door opened, and a small quadroon boy, between four and five years of age, entered the room. There was something in his appearance remarkably beautiful and engaging. His black hair, fine as floss silk, hung in glossy curls about his round, dimpled face, while a pair of large dark eyes, full of fire and softness, looked out from beneath the rich, long lashes, as he peered curiously into the apartment. A gay robe of scarlet and yellow plaid, carefully made and neatly fitted, set off to advantage the dark and rich style of his beauty; and a certain comic air of assurance, blended with bashfulness, showed that he had been not unused to being petted and noticed by his master.

"Hulloa, Jim Crow!" said Mr. Shelby, whistling, and snapping a bunch of raisins towards him, "pick that up, now!"

The child scampered, with all his little strength, after the prize, while his master laughed.

"Come here, Jim Crow," said he. The child came up, and the master patted the curly head, and chucked him under the chin.

"Now, Jim, show this gentleman how you can dance and sing." The boy commenced one of those wild, grotesque songs common among the negroes, in a rich, clear voice, accompanying his singing with many comic evolutions of the hands, feet, and whole body, all in perfect time to the music.

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