The Masterpiece

The Masterpiece

by Francine Rivers

Narrated by Susan Bennett

Unabridged — 15 hours, 54 minutes

The Masterpiece

The Masterpiece

by Francine Rivers

Narrated by Susan Bennett

Unabridged — 15 hours, 54 minutes

Audiobook (Digital)

$23.49
FREE With a B&N Audiobooks Subscription | Cancel Anytime
$0.00

Free with a B&N Audiobooks Subscription | Cancel Anytime

$24.99 Save 6% Current price is $23.49, Original price is $24.99. You Save 6%.
START FREE TRIAL

Already Subscribed? 

Sign in to Your BN.com Account


Listen on the free Barnes & Noble NOOK app


Related collections and offers

FREE

with a B&N Audiobooks Subscription

Or Pay $23.49 $24.99

Overview

New York Times bestselling author Francine Rivers returns to her romance roots with this unexpected and redemptive love story, a probing tale that reminds us that mercy can shape even the most broken among us into an imperfect yet stunning masterpiece.

A successful LA artist, Roman Velasco appears to have everything he could possibly want—money, women, fame. Only Grace Moore, his reluctant, newly hired personal assistant, knows how little he truly has.

The demons of Roman's past seem to echo through the halls of his empty mansion and out across his breathtaking Topanga Canyon view. But Grace doesn't know how her boss secretly wrestles with those demons: by tagging buildings as the Bird, a notorious but unidentified graffiti artist—an alter ego that could destroy his career and land him in prison.

Like Roman, Grace is wrestling with ghosts and secrets of her own. After a disastrous marriage threw her life completely off course, she vowed never to let love steal her dreams again. But as she gets to know the enigmatic man behind the reputation, it's as if the jagged pieces of both of their pasts slowly begin to fit together . . . until something so unexpected happens that it changes the course of their relationship—and both their lives—forever.


Editorial Reviews

Publishers Weekly

12/11/2017
Bestseller Rivers (Redeeming Love) brings unexpected faith to a fictionalized Banksy character in this ambitious novel. Roman Velasco is an artist who has his own studio, rising prestige, and large commissions—yet he keeps secret his life as the Bird, a renowned and elusive graffiti artist. Roman has searched for meaning in women, drink, and art but finds himself empty and angry. Enter Grace Moore, an emotionally wounded single mother who finds her meaning in God. She signs on as Roman’s personal assistant, eager for the job but not so sure about the temperamental artist. Rivers pits the brokenness of these two—Roman’s abandonment and trust issues and Grace’s guilt and pain—against each other and the power of Jesus. Although Rivers too often uses phrases such as “he muttered a four-letter word” in place of cruder words, and frequently reverts to what feels like Christian jargon (“Two people saved by grace. That makes you my brother in Christ.”), the tale will have her long-standing fans hooked. And the fully formed Roman will likely garner her new ones. Agent: Danielle Egan-Miller, Browne & Miller Literary Associates. (Feb.)

Booklist

Best-selling Rivers (Bridge to Haven, 2014) presents a lengthy, emotionally uninhibited tale of childhood trauma and its affects in adulthood. She handles the difficult topics of addiction, emotional abuse, gang activity, and murder-suicide, all connected to children, with unapologetic directness. Her writing is grounded in conservative Christian values and touches on deeper points of theology and the afterlife. Readers will marvel at Rivers’ storytelling arc encompassing the reconciliation of gritty past misdeeds with the work in progress of a life of forgiveness.

Romantic Times

4.5 stars, Romantic Times Top Pick

The long wait between Francine Rivers’ novels is well worth it when the final page of this book is turned. Richly detailed characters with traumatic pasts are woven together with Biblical truths and redemptive themes. On the surface, this seems like a very basic romance, but when the layers are peeled back, each of the characters’ choices in the past and present are thoughtfully explored. As Roman and Grace learn about each other, the reader, too, learns about them as glimpses into their lives are revealed carefully as they relate to current experiences. This is an amazing, beautifully written tale to be savored and pondered and shared with others.

Booklist

Best-selling Rivers (Bridge to Haven, 2014) presents a lengthy, emotionally uninhibited tale of childhood trauma and its affects in adulthood. She handles the difficult topics of addiction, emotional abuse, gang activity, and murder-suicide, all connected to children, with unapologetic directness. Her writing is grounded in conservative Christian values and touches on deeper points of theology and the afterlife. Readers will marvel at Rivers’ storytelling arc encompassing the reconciliation of gritty past misdeeds with the work in progress of a life of forgiveness.

Kirkus Reviews

2017-11-12
A highly sought-after artist by day and clandestine graffiti prankster by night, Roman Velasco has shut his heart—until Grace Moore shows up on his doorstep.Grace has overcome too much in her life: she has survived her parents' violent deaths; she has given up her own studies to support her husband through college only to find him cheating on her in their own house; and she has transcended the shock of an unplanned pregnancy. Through it all, Jesus has stood by her, even appearing as an angel to comfort her when she was a grieving 7-year-old trying to find a way to endure. Recently, she has found a home for herself and her 5-month-old son, Samuel, but living with the Garcias, who had hoped to adopt Samuel, is difficult, especially since Selah consistently pushes Grace away, casting herself as the boy's constant maternal presence. So when Grace accepts a job as the temperamental Roman's personal assistant, complete with a cottage to herself —a cottage where she can start to separate from Selah and her family, where she can build a life for herself and Samuel —it's a dream come true. Roman's rough language and atheism, however, trouble Grace, just as Grace's spirituality and privacy trouble Roman. After all, he's used to easy women and commitment-free interludes. Christian novelist Rivers (Earth Psalms, 2016, etc.) deftly threads Roman's and Grace's lives together as they tiptoe around their emotional scars, eventually shifting into a dance of tentative steps toward a love neither can resist.Fans of Christian romance will delight in this tale of salvation through love.

Product Details

BN ID: 2940170473311
Publisher: Recorded Books, LLC
Publication date: 02/06/2018
Edition description: Unabridged

Read an Excerpt

CHAPTER 1

Roman Velasco climbed the fire escape and swung over the wall onto the flat roof. Crouching, he moved quickly. Another building abutted the five-story apartment house, the perfect location for graffiti. Right across the street was a bank building, and he'd already left a piece on the front door.

Shrugging off his backpack, he pulled out his supplies. He'd have to work fast. Los Angeles never slept. Even at three in the morning, cars sped along the boulevard.

This piece would be seen by anyone driving east. He'd be at risk until he finished, but dressed in black pants and a hooded sweatshirt, he'd be hard to spot, unless someone were looking for him. Ten minutes. That's all he needed to leave a parade of characters dancing on the wall — all looking like the top-hatted businessman from the Monopoly game, the last one leaping toward the street. He'd stenciled the figure laden with money bags going into the bank across the street.

The paper stencil hooked on something and tore. Swearing under his breath, Roman worked quickly to tape it. A wind came up, pulling a portion away. It was a long stencil and took precious minutes to secure. He grabbed a can of spray paint and shook it. When he pressed the button, nothing happened. Cursing, he pulled out another can and started spraying.

A vehicle approached. He glanced down and froze when he spotted a police car decelerating. Was it the same one that had come by an hour ago, when he'd been heading for the bank? He'd walked with purpose, hoping they'd think he was just some guy heading home from a night shift. The car had slowed, checking him out, and then moved on. As soon as it disappeared down the street, he'd done the work on the glass door of the bank building.

Roman went back to work. He only needed a few more minutes. He kept spraying.

Brake lights glowed hot red on the street. The police car had stopped in front of the bank. A white beam of light fixed on the front door.

One more minute. Roman made two more sweeps and started the careful removal of the stencil. He'd had to use more tape than usual, so it took longer. The last section of paper peeled away, and he added three small black interlocking letters that looked like a bird in flight.

One officer was out of the car, flashlight in hand.

Roman crouched low, rolled the stencil, and stuffed it into his backpack with the spray cans. The beam of light rose and moved closer. It flashed right over him as he started moving across the roof. It traveled down and away. Relieved, Roman shouldered the pack and rose slightly.

The light returned, silhouetting him against the wall. He bolted, face averted.

The beam of light tracked his escape across the roof. He heard voices and racing feet. Heart hammering, Roman took a flying leap onto the next building. He hit hard, rolled to his feet, and kept going. The police department probably had a file on the Bird's work. He wasn't a teenager anymore, facing community service for doing gang tagging on a wall. If he got caught now, he'd do jail time.

Worse, he'd destroy the budding reputation Roman Velasco was earning as a legitimate artist. Graffiti earned street cred, but didn't help in a gallery.

One officer had returned to the squad car. Tires squealed. They weren't giving up.

Roman spotted an open window a couple of buildings over and decided to climb up rather than down.

A car door slammed. A man shouted. Must be a slow night if these two cops wanted to spend this much time hunting a graffiti artist.

Roman swung over the edge of another roof. A half-empty can of spray paint fell out of his jostled pack and exploded on the pavement below.

The startled officer drew his gun and pointed it at Roman as he climbed. "LAPD! Stop where you are!"

Gripping a ledge, Roman pulled himself up and went in through the open apartment window. He held his breath. A man snored in the bedroom. Roman crept forward. He hadn't gone two steps before bumping into something. His eyes adjusted to the dim light from the kitchen appliances. The occupant must be a hoarder. The cluttered living room could be Roman's undoing. He left his backpack behind the sofa.

Opening the front door quietly, he peered out and listened. No movement, no voices. The man in the bedroom snorted and stirred. Roman slipped out quickly and closed the door behind him. The emergency exit door was stuck. If he forced it, he'd make noise. He found the elevator, his heart pounding faster as it took its sweet time rising. Bing. The doors opened. Roman stepped inside and punched the button for the underground parking garage.

Just stay cool. He shoved the hood back and raked his hands through his hair. He took a deep breath and let it out slowly. The elevator doors opened. The basement parking lot was well lit. Roman held the door open and waited a few seconds to scope the area before he stepped out. All clear. Relieved, he headed for the ramp leading up to the side street.

The police car sat at the curb. Doors opened, and both officers emerged.

For a split second, Roman debated inventing a quick story for why he'd be heading out for a walk at three thirty in the morning, but somehow he knew no story was going to keep him out of cuffs. He bolted up the street toward a residential neighborhood a block off the main boulevard. The officers followed like hounds after a fox. Roman went down one street, along a paved driveway, and over a wall. He thought he was home free until he realized he wasn't alone in the backyard. A German shepherd leaped to its feet and gave chase. Roman raced across the yard and over the back fence. The dog hit the fence and clawed at it, barking fiercely. Roman landed hard on the other side and knocked over a couple of garbage cans in his haste to get away. Now every other canine up and down the street was sounding the alarm. Roman moved fast, keeping low and in the shadows.

Lights went on. He could hear voices.

Inquiries would slow down the cops, and they'd be less likely to go over fences and trespass. Roman moved fast for a few blocks and then slowed to a normal gait to catch his breath.

The dogs had stopped barking. He heard a car and slipped behind a privet hedge. The police car crossed the next street, not slowing as it headed back toward Santa Monica Boulevard. Maybe he'd lost them. Rather than push his luck any further, Roman waited another few minutes before venturing out to the sidewalk.

It took him an hour to make his way back to his BMW. Sliding into the driver's seat, he couldn't resist driving east to check out his work.

The bank would have its front door cleaned by noon, but the high piece on the wall across the street would last longer. The Bird had gained enough notoriety over the past few years that some building owners left the graffiti untouched. He hoped that would be the case with this one. He'd come too close to getting caught to have the work buffed and forgotten in a day or two.

Freeway traffic had already picked up. Fighting exhaustion, Roman turned on the air-conditioning. Cold air blasted him, keeping him wide-awake as he drove up into Topanga Canyon, feeling drained and vaguely depressed. He should be reveling after his successful night raid, not feeling like an old man in need of a recliner.

He slowed and turned onto the gravel drive down to his house. The push of a button opened the garage door. Three more cars bigger than his 740Li could fit in the space. He shut off the engine and sat for a few seconds as the door whirred closed behind him.

As he started to get out of his car, a wave of weakness hit him. He sat still for a minute, waiting for the odd sensation to pass. It hit him again when he headed for the back door. Staggering, he went down on one knee. He anchored his fist on the concrete and kept his head down.

The spell passed, and Roman stood slowly. He needed sleep. That's all. One full night would fix him up. He opened the back door to dead silence.

Unzipping and removing the black hoodie, he headed down the hallway to his bedroom. He was too tired to take a shower, too tired to turn the air conditioner down to sixty-five, too tired to eat, though his stomach cramped with hunger. Stripping off his clothes, he sprawled across the unmade bed. Maybe he'd get lucky tonight and sleep without dreaming. Usually, the high he got from one of his night raids earned a payback of nightmares from his days in the Tenderloin. White Boy never stayed buried for long.

Morning shot spears of sunlight. Roman closed his eyes, craving darkness.

*
Moore got up early, knowing she would need plenty of time to cross the valley and arrive on time for her first day as a temp worker. She wasn't sure the job would pay well enough to get a small apartment for herself and her son, Samuel, but it was a start. The longer she lived with the Garcias, the more complicated things became.

Selah and Ruben were in no hurry for her to leave. Selah still hoped Grace would change her mind and sign the adoption papers. Grace didn't want to give Selah false hope, but she had nowhere else to go. Every day that passed increased her desire to be independent again.

She'd sent out dozens of résumés since being laid off over a year ago and only received a few calls back for interviews. None had produced a job. Every employer wanted a college graduate these days, and she'd only completed a year and a half before putting her education on hold so she could support her husband, Patrick, until he graduated.

Looking back, she wondered if Patrick had ever loved her. Every promise Patrick had made, he'd broken. He had needed her. He had used her. It was that simple.

Aunt Elizabeth was right. She was a fool.

Samuel stirred in his crib. Grace lifted him gently, thankful he was awake. She'd have time to nurse him and change his diaper before handing him over to Selah. "Good morning, little man." Grace breathed in his baby scent and sat on the edge of the twin bed she'd just made. She opened her blouse and shifted him so he could nurse. The circumstances of his conception and the complications he'd added to her life ceased to matter the moment she first held him in her arms. He hadn't been an hour old before she knew she couldn't give him up for adoption, no matter how much better his life might be with the Garcias. She'd told Selah and Ruben as much, but every day brought its own anguish as Selah took over his care while Grace went out looking for a way to support herself and her son.

Others do it, Lord. Why can't I?

Others had family. She had only Aunt Elizabeth.

Father, please let this job work out. Help me, Lord. Please. I know I don't deserve it, but I'm asking. I'm begging.

Thankfully, she'd passed the interview and tests with the temp agency and been added to their list. Mrs. Sandoval had a job opening. "I've sent this man four highly qualified people, and he rejected every one. I don't think he knows what he needs. It's the only work I can offer you right now."

Grace would have agreed to work for the devil himself if it meant a regular paycheck.

*
The sound of chimes pulled Roman up out of the darkness. Had he dreamed he was in Westminster Abbey? He rolled over. His body had just relaxed when the chimes started again. Someone had pushed the doorbell. He'd like to get his hands on the owner who installed the blasted system. Cursing, Roman pulled a pillow over his head, hoping to muffle the song that could be heard from one end of the five-thousand-square-foot house to the other.

Silence returned. The interloper had probably gotten the message and left.

Roman tried to go back to sleep. When the chimes started again, he shouted in frustration and stood up. A wave of weakness surged again. Knocking over a half-empty bottle of water and the alarm clock, he caught himself before he pitched face-first onto the floor. Three times in less than twenty-four hours. He might have to resort to prescription drugs to get the rest he needed. But right now, all he wanted to do was unleash his temper on the intruder who was ringing his bell.

Pulling on sweats, Roman grabbed a wrinkled T-shirt off the carpet and headed barefoot down the hall. Whoever stood on the other side of his front door was going to wish they'd never set foot on his property. The chimes started in again just as he yanked open the door. A young woman glanced up in surprise and then backed away when he stepped over the threshold.

"Can't you read?" He jabbed a finger at the sign posted next to the front door. "No solicitors!"

Brown eyes wide, she put her hands up in a conciliatory gesture.

Her dark, curly hair was cropped short, and her black blazer, white blouse, and pearls screamed office worker. A faint recollection flickered in his mind, but Roman dismissed it. "Get lost!" He stepped back and slammed the door. He hadn't gotten far when she knocked lightly. Yanking the door open again, he glared at her.

"What is wrong with you?"

She looked scared enough to run, but stood her ground. "I'm here on your orders, Mr. Velasco."

His orders? "Like I want a woman on my doorstep first thing in the morning."

"Mrs. Sandoval said nine o'clock. I'm Grace Moore. From the temp agency."

He spit a four-letter word. Her eyes flickered, and her cheeks filled with color. His anger dissolved like salt in water. Great. Just great. "I forgot you were coming."

She looked like she'd rather be any place but here, not that he could blame her. He debated telling her to come back tomorrow, but knew she wouldn't. He was up now. He might as well stay up. Jerking his head, he let the door drift open. "Come on in."

He'd gone through four temps in the last month. Mrs. Sandoval was losing patience faster than he was. "I'll send you one more, Mr. Velasco, and if she doesn't work out, I'll give you the name of my competitor."

He was looking for someone to field calls and handle the mundane details of correspondence, bills, scheduling. He didn't want a drill sergeant, a maiden aunt, or an amateur psychologist to analyze his artist's psyche. Nor did he need a curvy blonde in a low-cut blouse who pushed papers around, but didn't have a clue where to file them. She had ideas about what an artist might want besides a woman with office skills. He might have taken her up on her offer if he hadn't had enough experience with women like her. She lasted three days.

Not hearing any footsteps behind him, Roman paused and looked back. The girl was still standing outside. "What're you waiting for? An engraved invitation?"

She entered and closed the door quietly behind her. She looked ready to bolt.

He offered an apologetic smile. "Long night."

She murmured something he didn't catch, and he decided not to ask her to repeat it. He felt the onset of a headache, and the click of her high heels on the stone-tile floor wasn't helping. He was thirsty and needed caffeine. He went into the kitchen adjoining the living room. She stopped at the edge of his sunken living room and gaped at the cathedral ceilings and wall of glass overlooking Topanga Canyon. Sunlight streamed through the windows, reminding him most people were serving time on their nine-to-fives by now.

Opening the stainless steel refrigerator, Roman grabbed a bottle of orange juice. He removed the cap, drank from the bottle, and lowered it. "What'd you say your name was?"

"Grace Moore."

She had the right look for the job — cool, calm, collected. Pretty, midtwenties, trim and fit, but not his type. He liked voluptuous blondes who knew the score.

Feeling his perusal, she looked at him. Women usually did, but not with her guarded expression. "You have a beautiful view, Mr. Velasco."

"Yeah, well, everything gets old eventually." He put the bottle of orange juice on the counter. She looked uncomfortable. Understandable, considering his less-than-friendly greeting. He smiled slightly. She looked back at him without expression. Good. He needed a worker bee, not a girlfriend. Would she take offense at his first request?

"Do you know how to make coffee?" She looked over at the one-touch automatic coffee-and-espresso machine that could grind beans, heat milk, and make a latte in less than sixty seconds with the press of a pinkie.

"Not a cup. A full pot of real coffee." He left the kitchen to her. "Use the regular coffeemaker."

"Do you like it strong or weak?"

"Strong." He headed down the hall. "We'll talk more after I get cleaned up."

(Continues…)



Excerpted from "The Masterpiece"
by .
Copyright © 2018 Francine Rivers.
Excerpted by permission of Tyndale House Publishers.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

From the B&N Reads Blog

Customer Reviews