The Island of Doctor Moreau

The Island of Doctor Moreau

by H. G. Wells

Narrated by Sebastian Blackwood

Unabridged — 4 hours, 11 minutes

The Island of Doctor Moreau

The Island of Doctor Moreau

by H. G. Wells

Narrated by Sebastian Blackwood

Unabridged — 4 hours, 11 minutes

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Overview

Shipwreck survivor Edward Prendick finds refuge on a remote island, only to discover the horrifying experiments of the enigmatic Dr. Moreau. Here, Moreau plays god, transforming animals into grotesque, human-like creatures through vivisection. As Prendick uncovers the truth behind Moreau's "Beast Folk," he confronts the ethical limits of science and the thin line between man and beast. A chilling exploration of morality, evolution, and the perils of playing with nature.


Editorial Reviews

John Clute

It is hard to think of a more qualified person to give us, at long last, a version of an H. G. Wells novel which could be trusted... Professor Philmus's edition is extraordinarily full.
Interzone

David Seed

[T]his edition ... [leaves] the reader well placed to observe Wells's changing conception of his work and particularly to see how the novel grows out of the Gothic tradition. [I]t is important to stress what a wealth of materials is assembled in this volume.
Udolpho

Dale Kramer

This is a useful book for its placing the novel against its background of late-Victorian intellectual issues.
English Literature in Transition

Darren Harris-Fain

Philmus's variorum edition of The Island of Doctor Moreau is a shining example of the quality of work that can and should be done in the [science-fiction] field.
Extrapolation

From the Publisher

"A grisly Darwinian heart-of-darkness fantasy." —Daily Telegraph


"A master writer." —Guardian


"The Island of Doctor Moreau is one of those books that, once read, is rarely forgotten." —Margaret Atwood

Eric Cash

"Mason Harris provides the reader with essential connections between The Island of Doctor Moreau and the scientific and philosophical debates that raged in the Victorian world. This edition provides vital insight that allows the reader to slice through the shadows of Moreau's House of Pain and emerge into the true turn-of-the-century horror that H.G. Wells constructed. The appendices, including samples of Wells's scientific journalism, help bring focus to the complexity of the author's vision."

Steven McLean

"The Broadview Edition of The Island of Doctor Moreau restores this greatest of all post-Darwinian island fables to its original context. In his introduction, Mason Harris provides a lively account of the evolutionary debates that influenced the novel's construction and an informative overview of criticism to date. Appendices show the controversy generated by Moreau's publication, situate the final text alongside early drafts and Wells's journalism, and reprint scientific and literary sources crucial to understanding the novel. This edition will appeal to both those in the academy and the general reader, and is to be strongly recommended."

OCT 97 - AudioFile

H.G. Wells’s classic horror story centers around monster-making. As the tale begins, the nephew of Edward Prendick is reading from an account written by his uncle as a old man. While in the prime of life, the shipwrecked Prendick was saved from death by Dr. Moreau, an expatriate living on a deserted island who was attempting, by surgical experiments, to humanize animals. Through Prebble’s narrative mastery the character of Prendick evolves with the events he describes. The opening chapter is performed in a dry, weary voice. As Prendick describes the animals’ agony and the misshapen results of the “man-making,” Prebble reads in a shadowy, intense tone, conveying events too horrible and unbelievable to describe. Prebble’s reading makes the story more visual and visceral than the recently released silver-screen version. L.R.S. ©AudioFile, Portland, Maine

AUGUST 2021 - AudioFile

Narrator Jonathan Keeble’s deep, strong voice sets an ominous tone for this short, dark novel about perverted ambition and the bestiality of men. It’s set on a small island, where the tortured creations of misguided science lurk. Some of Keeble’s vocal characterizations make for uncomfortable listening—a pronounced lisp, for instance—but they are true to Wells’s descriptions. At times, Keeble’s delivery is close to overwrought, nearly a shout, but it’s always true to the melodrama and violence of this science-fiction fable. Most impressively, Keeble’s voice sustains and builds the mood of threat and dread. More than a reading, this is a fine version of a powerful classic. W.M. © AudioFile 2021, Portland, Maine

AUGUST 2021 - AudioFile

Narrator Jonathan Keeble’s deep, strong voice sets an ominous tone for this short, dark novel about perverted ambition and the bestiality of men. It’s set on a small island, where the tortured creations of misguided science lurk. Some of Keeble’s vocal characterizations make for uncomfortable listening—a pronounced lisp, for instance—but they are true to Wells’s descriptions. At times, Keeble’s delivery is close to overwrought, nearly a shout, but it’s always true to the melodrama and violence of this science-fiction fable. Most impressively, Keeble’s voice sustains and builds the mood of threat and dread. More than a reading, this is a fine version of a powerful classic. W.M. © AudioFile 2021, Portland, Maine

Product Details

BN ID: 2940192807088
Publisher: Interactive Media
Publication date: 04/23/2024
Edition description: Unabridged

Read an Excerpt

Chapter 1
In The Dingey Of The "Lady Vain."

I DO not propose to add anything to what has already been written concerning the loss of the "Lady Vain." As everyone knows, she collided with a derelict when ten days out from Callao. The longboat, with seven of the crew, was picked up eighteen days after by H. M. gunboat "Myrtle," and the story of their terrible privations has become quite as well known as the far more horrible "Medusa" case. But I have to add to the published story of the "Lady Vain" another, possibly as horrible and far stranger. It has hitherto been supposed that the four men who were in the dingey perished, but this is incorrect. I have the best of evidence for this assertion: I was one of the four men.
But in the first place I must state that there never were four men in the dingey,--the number was three. Constans, who was "seen by the captain to jump into the gig," luckily for us and unluckily for himself did not reach us. He came down out of the tangle of ropes under the stays of the smashed bowsprit, some small rope caught his heel as he let go, and he hung for a moment head downward, and then fell and struck a block or spar floating in the water. We pulled towards him, but he never came up.
Daily News, March 17, 1887.
I say lucky for us he did not reach us, and I might almost say luckily for himself; for we had only a small breaker of water and some soddened ship's biscuits with us, so sudden had been the alarm, so unprepared the ship for any disaster. We thought the people on the launch would be better provisioned (though it seems they were not), and we tried to hail them. Theycould not have heard us, and the next morning when the drizzle cleared,-- which was not until past midday,--we could see nothing of them. We could not stand up to look about us, because of the pitching of the boat. The two other men who had escaped so far with me were a man named Helmar, a passenger like myself, and a seaman whose name I don't know,-- a short sturdy man, with a stammer.
We drifted famishing, and, after our water had come to an end, tormented by an intolerable thirst, for eight days altogether. After the second day the sea subsided slowly to a glassy calm. It is quite impossible for the ordinary reader to imagine those eight days. He has not, luckily for himself, anything in his memory to imagine with. After the first day we said little to one another, and lay in our places in the boat and stared at the horizon, or watched, with eyes that grew larger and more haggard every day, the misery and weakness gaining upon our companions. The sun became pitiless. The water ended on the fourth day, and we were already thinking strange things and saying them with our eyes; but it was, I think, the sixth before Helmar gave voice to the thing we had all been thinking. I remember our voices were dry and thin, so that we bent towards one another and spared our words. I stood out against it with all my might, was rather for scuttling the boat and perishing together among the sharks that followed us; but when Helmar said that if his proposal was accepted we should have drink, the sailor came round to him.
I would not draw lots however, and in the night the sailor whispered to Helmar again and again, and I sat in the bows with my clasp-knife in my hand, though I doubt if I had the stuff in me to fight; and in the morning I agreed to Helmar's proposal, and we handed halfpence to find the odd man. The lot fell upon the sailor; but he was the strongest of us and would not abide by it, and attacked Helmar with his hands. They grappled together and almost stood up. I crawled along the boat to them, intending to help Helmar by grasping the sailor's leg; but the sailor stumbled with the swaying of the boat, and the two fell upon the gunwale and rolled overboard together. They sank like stones. I remember laughing at that, and wondering why I laughed. The laugh caught me suddenly like a thing from without.
I lay across one of the thwarts for I know not how long, thinking that if I had the strength I would drink sea-water and madden myself to die quickly. And even as I lay there I saw, with no more interest than if it had been a picture, a sail come up towards me over the sky-line. My mind must have been wandering, and yet I remember all that happened, quite distinctly. I remember how my head swayed with the seas, and the horizon with the sail above it danced up and down; but I also remember as distinctly that I had a persuasion that I was dead, and that I thought what a jest it was that they should come too late by such a little to catch me in my body.
For an endless period, as it seemed to me, I lay with my head on the thwart watching the schooner (she was a little ship, schooner-rigged fore and aft) come up out of the sea. She kept tacking to and fro in a widening compass, for she was sailing dead into the wind. It never entered my head to attempt to attract attention, and I do not remember anything distinctly after the sight of her side until I found myself in a little cabin aft. There's a dim half-memory of being lifted up to the gangway, and of a big red countenance covered with freckles and surrounded with red hair staring at me over the bulwarks. I also had a disconnected impression of a dark face, with extraordinary eyes, close to mine; but that I thought was a nightmare, until I met it again. I fancy I recollect some stuff being poured in between my teeth; and that is all.


From the Paperback edition.

Copyright 2002 by H. G. Wells

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