Shadow of Night (All Souls Series #2)

Shadow of Night (All Souls Series #2)

by Deborah Harkness

Narrated by Jennifer Ikeda

Unabridged — 24 hours, 24 minutes

Shadow of Night (All Souls Series #2)

Shadow of Night (All Souls Series #2)

by Deborah Harkness

Narrated by Jennifer Ikeda

Unabridged — 24 hours, 24 minutes

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Overview

The #1 New York Times-bestselling sequel to A Discovery of Witches, book two of the All Souls Trilogy-"as enchanting, engrossing, and impossible to put down as its predecessor" (Miami Herald)

J. K. Rowling, Stephenie Meyer, Anne Rice-only a few writers capture the imagination the way that Deborah Harkness has with her New York Times-bestselling All Souls trilogy. A Discovery of Witches introduces reluctant witch Diana Bishop, vampire geneticist Matthew Clairmont, and the battle for a lost, enchanted manuscript known as Ashmole 782.

Picking up from A Discovery of Witches' cliffhanger ending, Shadow of Night takes Diana and Matthew on a trip through time to Elizabethan London, where they are plunged into a world of spies, magic, and a coterie of Matthew's old friends, the School of Night. As the search for Ashmole 782 deepens and Diana seeks out a witch to tutor her in magic, the net of Matthew's past tightens around them, and they embark on a very different-and vastly more dangerous-journey.


From the Trade Paperback edition.

Editorial Reviews

Publishers Weekly

Propelled by her successful fiction debut, A Discovery of Witches, historian Harkness concocts an energetic if chaotic sequel filled with witches, daemons, vampires, wearhs, weavers, and warm-bloods (aka humans) racing to retrieve a lost manuscript that details the origins of supernatural species, which, in the wrong hands, could hasten their extinction. The first novel culminated in the mixed marriage of vampire/scientist Matthew de Clermont to historian/untrained witch Diana Bishop. This novel opens with the newlyweds time-traveling to Elizabethan England so Diana can study witchcraft; never mind they’re burning witches in Scotland or that in London an educated American woman doesn’t exactly blend in. There, they hope to retrieve magical manuscript Ashmole 782, last seen in Oxford’s 21st-century Bodleian library. Diana gets in touch with her inner firedrake, Matthew with his father, but they can’t find a tutor for ages, and they can’t rescue the manuscript without a trip to Prague. Supporting Diana and Matthew in their quest is a secret society that includes dashing Walter Raleigh and dangerous daemon Christopher Marlowe. Harkness delights in lining up the living dead and modern academic history, as in her explanation of how a forger named Shakespeare, with supernatural prompting, takes up playwriting. This tale of a feminist Yankee in Queen Elizabeth’s court charms amid the tumult, as the gifted heroine and her groom fight for generations and another sequel to come in order to protect the magical world that’s all around us. Agent: Sam Stoloff. (July 10)

From the Publisher

A captivating and romantic ripping yarn.”
—E. L. James, “Books of the Year 2012: Authors Choose Their Favourites,” The Guardian

“The joy that Harkness, herself a historian, takes in visiting the past is evident on every page. . . . A great spell, the one that can enchant a reader and make a 600-page book fly through her fingertips, is cast. . . . Its enduring rewards are plenty.”
Entertainment Weekly

“Fans of Harkness’s 2011 debut A Discovery of Witches will be delighted. . . . Harkness delivers enough romance and excitement to keep the pages turning. Readers will devour it.”
People

“Deborah Harkness takes us places we’ve never been before. . . . Shadow of Night isn't just about wonderfully detailed descriptions of England in 1591, it's about being there. Readers time-travel as precisely and precariously as Diana and Matthew do. . . . Shadow ends as Discovery did with promises of more to come. Lucky for us.”
USA Today

“Harkness exudes her own style of magic in making the world of late 16th century England come alive. . . . Enchanting, engrossing and as impossible to put down as its predecessor, Shadow of Night is a perfect blend of fantasy, history and romance. Its single greatest flaw is, after almost 600 pages, it’s over. If you’ve already read and enjoyed A Discovery of Witches, picking up Shadow of Night is an absolute requirement. Otherwise, pick up both, and consider your reading list complete.”
—Miami Herald

“Picking up where she left off in last year’s A Discovery of Witches, Harkness proves she’s not suffering from a sophomore slump with this addictive tale of magic, mayhem and two lovers.”
Chicago Tribune

“Rich, period fun, particularly delightful in its witty characterization of historical immortals . . . Shadow ramps up the supernatural suspense.”
—New York Daily News

“This novel is as much a love story about a bygone era as it is about Matthew and Diana. It overflows with a colorful cast of characters, many of whom Harkness has plucked straight from the history books, and Harkness renders the late 1500s in exquisite detail. . . . The writing is so rich, the characters so compelling . . . and best of all, Harkness manages to execute with aplomb the act of answering old questions while posing new ones that will intensify anticipation for the final installment. Readers who have been counting down the days, take heart: The wait was most assuredly worth it.”
—BookPage

“Harkness delights in lining up the living dead and modern academic history. . . . This tale of a feminist Yankee in Queen Elizabeth’s court charms amid the tumult, as the gifted heroine and her groom fight for generations and another sequel to come in order to protect the magical world that’s all around us.”
Publishers Weekly

Library Journal

Picking up where last summer's best-selling A Discovery of Witches left off, geneticist and vampire Matthew Clairmont and Oxford scholar and witch Diana Bishop travel back in time to Elizabethan England to hunt for the enchanted Ashmole 782 manuscript and to seek magic lessons for Diana. VERDICT Readers who enjoyed the first book's striking detail and complex world-building will be equally as thrilled with this second book in the trilogy, as Harkness, a scholar herself (history, Univ. of Southern California), focuses her lens on the denizens, culture, and geography of late 16th-century Europe.

Library Journal - Audio

The second book in Harkness's "All Souls Trilogy" (after A Discovery of Witches) continues the saga of reluctant witch Diana Bishop, who, despite an ancient covenant prohibiting such a relationship, marries vampire and fellow scholar Matthew Clairmont. The unconventional couple travel back in time to Elizabethan England to hide out, explore Diana's newly discovered talents, and track down the elusive Ashmole 782, a mysterious text that may reveal secrets of the origins of creatures. Narrator Jennifer Ikeda successfully tackles the challenge of bringing to life a huge cast of both real and imagined characters, living in the past and present, through a variety of accents that give each a unique identity. VERDICT Harkness expertly weaves threads of science, history, and the occult around a passionate love story. Twilight fans looking for a more mature literary tale will enjoy this but should read A Discovery of Witches before diving into this installment in order to appreciate it fully. ["Destined to be as popular as its predecessor, Shadow of Night is a must buy," read the review of the Viking hc, LJ 5/15/12.—Ed.]—Theresa Horn, St. Joseph Cty. P.L., South Bend, IN

JULY 2012 - AudioFile

The eagerly awaited second book of the All Souls Trilogy starts precisely where A DISCOVERY OF WITCHES left off, with Diana and Mathew tumbling into the past. Jennifer Ikeda continues as narrator. She convincingly voices both the thoughts of a modern woman and the controlled seductive tones of an experienced vampire. The details of Elizabethan England are as tantalizing as the romance, but the lack of temporal accent makes one wonder what it really would be like to hear the cadence of the time. Regardless, Ikeda’s reading rings with intrigue as the witch-historian and vampire-scientist discover their own significance and the potential genetic link between daemons, witches, and vampires. With a paranormal hue, history, science, and the history of science become entirely too alluring. A.M.P. © AudioFile 2012, Portland, Maine

Kirkus Reviews

William Shakespeare, vampire hunter. Well, not exactly. But, thanks to the magic of time travel, Harkness' (A Discovery of Witches, 2011) latest finds witch and Oxford professor Diana Bishop and her lover, scientist and vampire Matthew Clairmont, at the tail end of Elizabethan England, when Shakespeare's career is about to take off. There, by happenstance, they meet Christopher Marlowe, who commands an uncommonly rich amount of data about the ways of the otherworld. Asked why the odd couple should attract attention, he remarks matter-of-factly, "Because witches and wearhs are forbidden to marry," an exchange that affords Diana, and the reader, the chance to learn a new word. Diana and Matthew talk a lot. They argue a lot, too, quibbling about the strangest things: " ‘You are a vampire. You're possessive. It's who you are,' I said flatly, approaching him in spite of his anger. ‘And I am a witch. You promised to accept me as I am--light and dark, woman and witch, my own person as well as your wife.' " But then they get to have extremely hot--indeed, unnaturally hot, given the cold blood of the undead--makeup sex, involving armoires and oak paneling and lifted petticoats and gripped buttocks. Meanwhile, Kit Marlowe gets to do some petticoat lifting of his own, even if his adventures lead him to a Bedlam populated by all kinds of unfortunate souls, from a few ordinary wackaloons of yore to a small army of daemons, witches, vampires and other exemplars of the damned and doomed. Will Shakespeare comes onto the scene late, but there's good reason for that--and maybe a little fodder for the Edward de Vere conspiratorial crowd, too. Clearly Harkness has great fun with all this, and her background as a literature professor gives her plenty of room to work with, and without, an ounce of pedantry. Sure, the premise is altogether improbable. But, that said, there's good fun to be had here, even for those who might wish for a moratorium on books about vampires, zombies, witches and other things that go bump in the night.

Product Details

BN ID: 2940169297126
Publisher: Penguin Random House
Publication date: 07/10/2012
Series: All Souls Series , #2
Edition description: Unabridged
Sales rank: 200,326

Read an Excerpt

“Why no beard? Have you been ill?” Marlowe’s eyes flickered when they spotted me, nudging me with the insistent pressure that marked him unmistakably as a daemon.

I suppressed an urge to rush at one of England’s greatest playwrights and shake his hand before peppering him with questions. What little information I once knew about him flew from my mind now that he was standing before me. Had any of his plays been performed in 1590? How old was he? Younger than Matthew and I, certainly. Marlowe couldn’t yet be thirty. I smiled at him warmly.

“Wherever did you find that?” Marlowe pointed, his voice dripping with contempt. I looked over my shoulder, expecting to see some hideous work of art. There was nothing but empty space.

He meant me. My smile faltered.

“Gently, Kit,” Matthew said with a scowl.

Marlowe shrugged off the rebuke. “It is no matter. Take your fill of her before the others arrive, if you must. George has been here for some time, of course, eating your food and reading your books. He is still without a patron and hasn’t a farthing to his name.”

“George is welcome to whatever I have, Kit.” Matthew kept his eyes on the young man, his face expressionless as he drew our intertwined fingers to his mouth. “Diana, this is my dear friend Christopher Marlowe.”

Matthew’s introduction provided Marlowe with an opportunity to inspect me more openly. His attention crawled from my toes to the top of my head. The young man’s scorn was evident, his jealousy better hidden. Marlowe was indeed in love with my husband. I had suspected it back in Madison when my fingers had traveled over his inscription in Matthew’s copy of Doctor Faustus.

“I had no idea there was a brothel in Woodstock that specialized in over-tall women. Most of your whores are more delicate and appealing, Matthew. This one is a positive Amazon,” Kit sniffed, looking over his shoulder at the disordered drifts of paper that covered the surface of the table. “According to the Old Fox’s latest, it was business rather than lust that took you to the north. Wherever did you find the time to secure her services?”

“It is remarkable, Kit, how easily you squander affection,” Matthew drawled, though there was a note of warning in his tone. Marlowe, seemingly intent on the correspondence, failed to recognize it and smirked. Matthew’s fingers tightened on mine.

“Is Diana her real name, or was it adopted to enhance her allure among customers? Perhaps a baring of her right breast, or a bow and arrow, is in order,” Marlowe suggested, picking up a sheet of paper. “Remember when Blackfriars Bess demanded we call her Aphrodite before she would let us—”

“Diana is my wife.” Matthew was gone from my side, his hand no longer wrapped around mine but twisted in Marlowe’s collar.

“No.” Kit’s face registered his shock.

“Yes. That means she is the mistress of this house, bears my name, and is under my protection. Given all that—and our long-standing friendship, of course—no word of criticism or whisper against her virtue will cross your lips in future.”

I wiggled my fingers to restore their feeling. The angry pressure from Matthew’s grip had driven the ring on the third finger of my left hand into the flesh, leaving a pale red mark. Despite its lack of facets, the diamond in the center captured the warmth of the firelight. The ring had been an unexpected gift from Matthew’s mother, Ysabeau. Hours ago—centuries ago? centuries to come?—Matthew had repeated the words of the old marriage ceremony and slid the diamond over my knuckles.

With a clatter of dishes, two vampires appeared in the room. One was a slender man with an expressive face, weather-beaten skin the color of a hazelnut, and black hair and eyes. He was holding a flagon of wine and a goblet whose stem was shaped into a dolphin, the bowl balanced on its tail. The other was a rawboned woman bearing a platter of bread and cheese.

“You are home, milord,” the man said, obviously confused. Oddly enough, his French accent made him easier to understand. “The messenger on Thursday said—”

“My plans changed, Pierre.” Matthew turned to the woman. “My wife’s possessions were lost on the journey, Françoise, and the clothes she was wearing were so filthy I burned them.” He told the lie with bald confidence. Neither the vampires nor Kit looked convinced by it.

“Your wife?” Françoise repeated, her accent as French as Pierre’s. “But she is a w—”

“Warmblood,” Matthew finished, plucking the goblet from the tray. “Tell Charles there’s another mouth to feed. Diana hasn’t been well and must have fresh meat and fish on the advice of her doctor. Someone will

need to go to the market, Pierre.”

Pierre blinked. “Yes, milord.”

“And she will need something to wear,” Françoise observed, eyeing me appraisingly. When Matthew nodded, she disappeared, Pierre following in her wake.

“What’s happened to your hair?” Matthew held up a strawberry blond curl.

“Oh, no,” I murmured. My hands rose. Instead of my usual shoulder-length, straw-colored hair, they found unexpectedly springy reddish-gold locks reaching down to my waist. The last time my hair had developed a mind of its own, I was in college, playing Ophelia in a production of Hamlet. Then and now its unnaturally rapid growth and change of hue were not good signs. The witch within me had awakened during our journey to the past. There was no telling what other magic had been unleashed.

(Continues…)



Excerpted from "Shadow of Night"
by .
Copyright © 2012 Deborah Harkness.
Excerpted by permission of Penguin Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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