Coming Apart: The State of White America, 1960-2010
8Coming Apart: The State of White America, 1960-2010
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Overview
“I’ll be shocked if there’s another book that so compellingly describes the most important trends in American society.”—David Brooks, New York Times
In Coming Apart, Charles Murray explores the formation of American classes that are different in kind from anything we have ever known, focusing on whites as a way of driving home the fact that the trends he describes do not break along lines of race or ethnicity.
Drawing on five decades of statistics and research, Coming Apart demonstrates that a new upper class and a new lower class have diverged so far in core behaviors and values that they barely recognize their underlying American kinship—divergence that has nothing to do with income inequality and that has grown during good economic times and bad.
The top and bottom of white America increasingly live in different cultures, Murray argues, with the powerful upper class living in enclaves surrounded by their own kind, ignorant about life in mainstream America, and the lower class suffering from erosions of family and community life that strike at the heart of the pursuit of happiness. That divergence puts the success of the American project at risk.
The evidence in Coming Apart is about white America. Its message is about all of America.
Product Details
ISBN-13: | 9781455161751 |
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Publisher: | Blackstone Audio, Inc. |
Publication date: | 02/15/2012 |
Pages: | 8 |
Product dimensions: | 6.70(w) x 6.10(h) x 1.20(d) |
About the Author
Read an Excerpt
1
Our Kind of People
In which is described the emergence of a new and distinctive culture among a highly influential segment of American society.
ON SEPTEMBER 29, 1987, ABC premiered an hour-long dramatic series with the cryptic title thirtysomething. The opening scene is set in a bar. Not a Cheers bar, where Cliff the mailman perches on a bar stool alongside Norm the accountant and Frasier the psychiatrist, but an airy room, perhaps attached to a restaurant, with sunlight streaming in through paned windows onto off-white walls.
The room is crowded with an upscale clientele gathered for drinks after work, nattily uniformed servers moving among them. Two women in their late twenties or early thirties wearing tailored business outfits are seated at a table. A vase with a minimalist arrangement of irises and forsythia is visible in the background. On the table in front of the women are their drinks- both of them wine, served in classic long-stemmed glasses. Nary a peanut or a pretzel is in sight. One of the women is talking about a man she has started dating. He is attractive, funny, good in bed, she says, but there's a problem: He wears polyester shirts. "Am I allowed to have a relationship with someone who wears polyester shirts?" she asks.
She is Hope Murdoch, the female protagonist. She ends up marrying the man who wore the polyester shirts, who is sartorially correct by the time we see him. Hope went to Princeton. She is a writer who put a promising career on hold when she had a baby. He is Michael Steadman, one of two partners in a fledgling advertising agency in Philadelphia. He went to the University of Pennsylvania (the Ivy League one). Hope and Michael live with their seven-month-old daughter in an apartment with high ceilings, old-fashioned woodwork, and etched-glass windows. Grad-school-like bookcases are untidily crammed with books. An Art Deco poster is on the wall. A Native American blanket is draped over the top of the sofa.
In the remaining forty-five minutes, we get dialogue that includes a reference to left brain/right brain differences and an exchange about evolutionary sexual selection that begins, "You've got a bunch of Australopithecines out on the savanna, right?" The Steadmans buy a $278 baby stroller (1987 dollars). Michael shops for new backpacking gear at a high-end outdoors store, probably REI. No one wears suits at the office. Michael's best friend is a professor at Haverford. Hope breast-feeds her baby in a fashionable restaurant. Hope can't find a babysitter. Three of the four candidates she interviews are too stupid to be left with her child and the other is too Teutonic. Hope refuses to spend a night away from the baby ("I have to be available to her all the time"). Michael drives a car so cool that I couldn't identify the make. All this, in just the first episode.
The culture depicted in thirtysomething had no precedent, with its characters who were educated at elite schools, who discussed intellectually esoteric subjects, and whose sex lives were emotionally complicated and therefore needed to be talked about. The male leads in thirtysomething were on their way up through flair and creativity, not by being organization men. The female leads were conflicted about motherhood and yet obsessively devoted to being state-of-the-art moms. The characters all possessed a sensibility that shuddered equally at Fords and Cadillacs, ranch homes in the suburbs and ponderous mansions, Budweiser and Chivas Regal.
In the years to come, America would get other glimpses of this culture in Mad About You, Ally McBeal, Frasier, and The West Wing, among others, but no show ever focused with the same laser intensity on the culture that thirtysomething depicted-understandably, because the people who live in that culture do not make up much of the audience for network television series, and those who are the core demographic for network television series are not particularly fond of the culture that thirtysomething portrayed. It was the emerging culture of the new upper class.
Let us once again return to November 21, 1963, and try to find its counterpart.
The Baseline
The World of the Upper-Middle Class
Two conditions have to be met before a subculture can spring up within a mainstream culture. First, a sufficient number of people have to possess a distinctive set of tastes and preferences. Second, they have to be able to get together and form a critical mass large enough to shape the local scene. The Amish have managed to do it by achieving local dominance in selected rural areas. In 1963, other kinds of subcultures also existed in parts of the country. Then as now, America's major cities had distinctive urban styles, and so did regions such as Southern California, the Midwest, and the South. But in 1963 there was still no critical mass of the people who would later be called symbolic analysts, the educated class, the creative class, or the cognitive elite.
In the first place, not enough people had college educations to form a critical mass of people with the distinctive tastes and preferences fostered by advanced education. In the American adult population as a whole, just 8 percent had college degrees. Even in neighborhoods filled with managers and professionals, people with college degrees were a minority- just 32 percent of people in those jobs had college degrees in 1963. Only a dozen census tracts in the entire nation had adult populations in which more than 50 percent of the adults had college degrees, and all of them were on or near college campuses.
In the second place, affluence in 1963 meant enough money to afford a somewhat higher standard of living than other people, not a markedly different lifestyle. In 1963, the median family income of people working in managerial occupations and the professions was only $61,500 (2010 dollars, as are all dollar figures from now on). Fewer than 5 percent of American families in 1963 had incomes of $100,000 or more, and fewer than half of 1 percent had incomes of $200,000 or more.
Table of Contents
Prologue: November 21, 1963 1
Part I The Formation of a New Upper Class
1 Our Kind of People 23
2 The Foundations of the New Upper Class 46
3 A New Kind of Segregation 69
4 How Thick Is Your Bubble? 100
5 The Bright Side of the New Upper Class 116
Part II The Formation of a New Lower Class
6 The Founding Virtues 127
7 Belmont and Fishtown 144
8 Marriage 149
9 Industriousness 168
10 Honesty 189
11 Religiosity 200
12 The Real Fishtown 209
13 The Size of the New Lower Class 226
Part III Why It Matters
14 The Selective Collapse of American Community 236
15 The Founding Virtues and the Stuff of Life 253
16 One Nation, Divisible 269
17 Alternative Futures 278
Acknowledgments 307
Appendix A Data Sources and Presentation 310
Appendix B Supplemental Material for the Segregation Chapter 315
Appendix C Supplemental Material for the Chapter on Belmont and Fishtown 321
Appendix D Supplemental Material for the Marriage Chapter 337
Appendix E Supplemental Material for the Honesty Chapter 342
Appendix F Supplemental Material for the American Community Chapter 353
Appendix G Supplemental Material for the Chapter About the Founding Virtues and the Stuff of Life 356
Notes 358
Bibliography 389
Index 399
What People are Saying About This
"I’ll be shocked if there’s another book this year as important as Charles Murray’s 'Coming Apart.'”
David Brooks, The New York Times
"Mr. Murray's sobering portrait is of a nation where millions of people are losing touch with the founding virtues that have long lent American lives purpose, direction and happiness."
W. Bradford Wilcox, The Wall Street Journal
"'Coming Apart: The State of White America 1960-2010' brims with ideas about what ails America."
The Economist
“a timely investigation into a worsening class divide no one can afford to ignore.”
Publisher's Weekly
“[Charles Murray] argues for the need to focus on what has made the U.S. exceptional beyond its wealth and military power...religion, marriage, industriousness, and morality.”
Booklist (Starred Review)
"Charles Murray ... has written an incisive, alarming, and hugely frustrating book about the state of American society."
Roger Lowenstein, Bloomberg Businessweek