"An irreverent bible in its own right, a sort of celestial thought experiment . . . On the one hand, Subin says, deification has been used to subjugate, to colonize, to oppress . . . But Subin also draws attention to deification’s emancipatory potential . . . A roving and ambitious book."
—Jennifer Szalai, The New York Times Book Review

"Who can make a god is as fascinating a question as who can kill one . . . Anna Della Subin writes beautifully of the spiritual life of marginalized people, taking their devotions seriously and revealing the subversive purpose and power of the beliefs and practices that their oppressors so often misunderstood . . . convincing . . . compassionate . . . compelling."
—The New Yorker

"With a stylish, playful, at times almost biblical authorial voice, as well as a keen eye for history’s most revealing paradoxes and charming cul-de-sacs, Subin restores to view . . . this dazzling pantheon of inadvertent deities."
—The New Republic

"A fascinating account."
—Esquire

"Riveting . . . The book is replete with astonishing details . . . Subin, who combines fierce analytic intelligence with powerful storytelling, has synthesized vast amounts of information [and] deftly places [apotheosis] in the broader context of imperialism."
—Claire Messud, Harper's Magazine

"Bracingly original . . . brilliant . . . irresistible . . . Though Accidental Gods wears its learning lightly and is tremendous fun to read, it also includes a series of lyrical and thought-provoking meditations on the largest of themes . . . As Subin’s rich, captivating book shows, religion is a symbolic act: though we cannot control the circumstances, we all make our own gods, for our own reasons, all the time."
—New York Review of Books

"Anna Della Subin has lit upon a startling strand in the history of the sacred . . . The book’s strength lies in the sensitivity of her analysis."
—Marina Warner, Times Literary Supplement

"Subin has a talent for digging up odd cul-de-sacs of thought that reveal the overall absurdity of colonial thinking and racist theology . . . Underneath the book's fascinating parade of ideas and historical snippets, the structure and sequencing are truly elegant . . . Powerful and persuasive."
—Daniel Hornsby, Bookforum

“With impressive range and density, Accidental Gods details stories of men who have been worshipped as gods often against their will. In her account, Subin highlights the strange paradoxes of the instinct to deify and the messy histories it unspools.”
—English PEN, Shortlisted for the Hessell-Tiltman Prize

"We might think that divine fluidity is a thing of the past, but as Della Subin shows in this entertaining study, deification still occurs. With figures ranging from Douglas MacArthur . . . to Ras Tafari Makonnen . . . Accidental Gods instructs and delights."
—New Criterion (Critic's Pick)

"Accidental Gods is a book of history that sometimes reads like a poem, a rangy modernist one, with that tradition’s eye for imagery, juxtaposition, and paradox."
—Commonweal

"Subin doesn't cover QAnon or January 6, but reading her account of the global and historical power of the irrational, I became more and more convinced I might be reading the year's most relevant book about American politics."
—Tom Scocca, Air Mail

"Engaging."
—The Times

"Accidental Gods is a playful, ironic and ambiguous book about religion, at a time when religion . . . has grown as solemn as an owl. It’s no small achievement for Subin to have written something that, even as it explores the mostly grim religious dimensions of the colonial experience, does not reduce religion to politics but, to the contrary, leaves us hankering, like QAnon’s unlovely faithful, for a wider, wilder pantheon."
—The Telegraph

"A fascinating tour through the endless diversity of the divine . . . Each chapter takes a new deity as its subject, while drawing together a vast range of sources . . . to create beautiful passages of rhythmical prose."
—Guy Stagg, The Spectator

"A work so singular as to be nearly phosphorescent . . . Accidental Gods is . . .a writerly feat . . . The narrative cartwheels around time and space in a way that gives the impression of a rushing fever dream or a mystical vision. Yet Subin’s sentences are never blurry—they’re brisk, precise, and wondrously nimble, defying the staggering density of detail (historical, literary, weird, funny) that they carry."
—Ania Szremski, 4Columns

"Vibrantly narrated . . . A colorful . . . contemplation of global history’s cavalcade of avatars."
—Kirkus Reviews

"Thought-provoking . . . Subin draws intriguing and illuminating connections between race and religion . . . A stimulating and challenging look at a fascinating historical phenomenon."
—Publishers Weekly

“Accidental Gods is the sly, smart, and gloriously impious chronicle of mortal men who were mistakenly deified by dint of their race, but also sometimes because of their money, their technology, their power. Anna Della Subin has written their bible, which, unlike the earlier testaments, doesn't found a religion, but dissolves one.”
—Joshua Cohen, author of Book of Numbers and The Netanyahus

“Accidental Gods relates, with tremendous intellectual ingenuity and resourcefulness, a new history of the modern world: how the quest for divine sanction and spiritual transcendence remain at the center of our ostensibly rational and secular political and economic struggles.”
—Pankaj Mishra, author of Bland Fanatics: Liberals, Race, and Empire

“In Accidental Gods Anna Della Subin has unearthed a startling, unexpectedly rich stratum of the sacred. Rich, witty, acerbic and often astonishing, Accidental Gods reveals how terror and divinity are intertwined—in the colonial enterprise, in present-day strong-leader cults, and in nationalist statecraft. A highly original, revelatory study, entertaining and sobering at once as it identifies a persistent danger: the mythopolitics that fails to distinguish between men and gods.”
—Marina Warner, author of Stranger Magic

“Accidental Gods opens new perspectives, shines new light on overlooked corners of our global history, and conveys its powerful messages at first quietly, in subtext, and then more and more explicitly. The tales told here by Anna Della Subin are often colorful and bizarre, often melancholy—oh, man’s repeated inhumanity to man!—but always enlightening and engrossing.”
—Lydia Davis, author of The Collected Stories and Essays One and Two

2021-11-06
A thesis on how divinity and its varied incarnations have surprised cultures for hundreds of years.

In her debut, Subin, an essayist who studied the history of religion at Harvard Divinity School, takes readers five centuries deep into a survey of (mostly) men who were inadvertently lionized. She first explores a myriad of sanctifications, including figures in the Rastafarian movement of the 1930s and, of course, Christopher Columbus, who was adulated as a “celestial deity.” Especially illuminating is the author’s case study of how Gen. Douglas MacArthur unwittingly became deific throughout four distinct episodes in his military tenure. Subin surmises the military leader became “quadrisected, each quarter experiencing a different way to become fleetingly, precariously divine.” The author also considers French American anthropologist Nathaniel Tarn, who was sainted by conflicted villagers in the highlands of Guatemala in the 1950s. The book tours the “accidental godlings” formed from the glorified doctrines of religious leaders, politicians, dictators, and royal princes while citing numerous references on the ultimate consequences of divine exaltation or the dangers of enmeshing religion and politics. Subin examines how the appearance of fetish idols by European imperialists “integrated into some of the foremost theories of Western modernity” and legitimized conquest, while other forms of deification, particularly involving White authority figures, contributed to early forms of classism, sexism, and racism. In the concluding section, Subin addresses how the very idea of Whiteness became a divine prognosticator: “Race, the scholar-activists remind us, is not only a word but a sentence, of who can live and who will die.” Written in erudite, scholarly prose, Subin’s appreciation for these “gods” is a vibrantly narrated yet overlong text richly embellished with generous illustrations. The author’s exploration captures mortals throughout history who were feted, shaped myths about power and influence, and were startlingly exalted into godly status.

A colorful, exhaustive, occasionally exhausting contemplation of global history’s cavalcade of avatars.