Read an Excerpt

CHAPTER 1

THE STORY

We are torn out of our own existence and set down in the midst of the holy history of God on earth.

— Dietrich Bonhoeffer, Life Together, 1938

And we thank God constantly for this, that when you received the word of God, which you heard from us, you accepted it not as the word of men but as what it really is, the word of God, which is at work in you believers. — 1 Thessalonians 2:13

GLEN KEANE MAY NOT BE that well known to you, but his work likely is. He's one of the many animators at Disney (keeping with my movie business story for a bit longer). He brings all sorts of animals, characters, and even objects — who could ever forget the broomsticks in Sorcerer's Apprentice? — to life. Among his many credits stands his animation for Beauty and the Beast. Through Glen Keane's creative mind and skilled hands, he hurriedly sketched out the frames of the transformation of the beast into the prince.

And as he sketched away at his art desk, he was guided by a verse from Scripture. The verse Keane had written out and that he had taped across the top of his desk was 2 Corinthians 5:17, "Therefore, if anyone is in Christ, he is a new creation. The old has passed away; behold, the new has come." At an in-house meeting at Disney just before the release of the movie, Glen Keane shared about what inspired him as he worked and as he crafted the images that would depict the scene where he turned the beast into the prince. It was, he said, nothing more than his attempt to depict the transformation brought about by Christ, the transformation that takes a sinful human being, a beast, and transforms him into a prince — a transformation in which the old passes away and the new, the all-new, comes.

This story of transformation, of redemption, is the greatest story ever. Versions of this story of redemption pop up all over culture. You'll find them in movies like Beauty and the Beast, in books, and in songs. Who doesn't want to see the fallen hero restored? Who doesn't hold out for redemption? Who doesn't want to see the beast transformed? The Bible gives us the ultimate story of transformation. It is not just the story of my transformation or yours. The Bible tells the story of our transformation.

THE BIBLE AS THE STORY, THE BIBLE AS OUR STORY

In 1935, the German National Church threw its support behind the Nazi party. Troubling to many in the church, a group met at the city of Barmen, drawing up The Barmen Declaration and forming what came to be called the Confessing Church. This new church would confess allegiance to Christ only, not to the state. The Confessing Church also decided to establish four seminaries to train pastors for this new movement.

They settled on the city of Finkenwalde, then in Germany and now in Poland, as the place for one of these seminaries. And they settled on Dietrich Bonhoeffer as its director. He was just about to turn thirty and already had an impressive career. The seminary existed for just over a year before the gestapo shut it down, arrested most of its students, and sent others into hiding. Bonhoeffer went to his parents' home and wrote a book about it all, Life Together. In a few years, Bonhoeffer himself would be arrested, and in a few years still he would be hanged at Flossenbürg concentration camp, just a handful of days before that camp would be liberated. All of this is to say that what Bonhoeffer has to tell us in Life Together is well worth hearing.

Bonhoeffer stresses many ideas in the book, with that of community topping the list. "Christianity means community," he tells us. For Bonhoeffer, community circles around our common union that we have in Christ. Living together, learning together, worshiping together, suffering together, Bonhoeffer and his students learned a great deal about true community.

One thing Bonhoeffer learned, though, is that community is not isolated to one time and one place. The Christian community is global, blowing apart any geographical boundaries. But, Bonhoeffer also learned that the Christian community is historical, transcending the barriers of time. In fact, the Christian community stretches all the way back to the pages of the Bible itself. The biblical story is our story. It is not the story of biblical characters written down for us. It is the story of us, because we are all part of the Christian community.

Bonhoeffer commends this idea of community as the fundamental way we read and engage God's Word. While it is an ancient word to an ancient people of different languages and customs and times and places, it is also at the same time God's word directly to us. It is the Word that, as Paul puts it, is at work in us, not just the Word at work in believers scattered about the ancient city of Thessalonica (1 Thess. 2:13; see also 1 Pet. 1:22–25).

Here's how Bonhoeffer expresses the way in which the Word of God becomes our story:

We become a part of what once took place for our salvation. Forgetting and losing ourselves, we, too, pass through the Red Sea, through the desert, across the Jordan into the promised land. With Israel we fall into doubt and unbelief and through punishment and repentance experience again God's help and faithfulness. All this is not mere reverie but holy, godly reality. We are torn out of our own existence and set down in the midst of the holy history of God on earth. There God dealt with us, and there He still deals with us, our needs and our sins, in judgment and grace.

Then he adds a final exclamation point, "Only in the Holy Scriptures do we learn to know our own history." The Bible is our story because we are part of and connected to the Christian community. So far we have been putting the emphasis on our. We also need to emphasize story.

THE STORY OF THE BIBLE

I'm a morning person and I love to teach classes starting at 7:30 a.m., a challenging hour for college students. I can tell when I'm going to lose them, and I have found that's always a good place for a story. Any story will work. The drooping eyelids lift and they slowly return to the land of the living. I understand enough about my students to know that they love stories. In fact, we all love a good story.

God has full wisdom and perfect understanding of us. He knows exactly what we need. So he gave us stories. The Bible is one grand story by, from, and, ultimately, about God. What we have stumbled upon here in the Bible is the greatest story of all time. It's the story of redemption, the story of God calling out and making a people for himself. It is also a true story, the truest of them all. What can be better than that?

Well, there is one thing. The story of the Bible is not only the greatest story and not only the truest story. It is also the only story that makes sense of our lives. To put it another way, the Bible has existential significance. The Bible gives meaning to all our lives and to every inch of our lives. It alone makes sense of what happens to us. The Bible alone makes sense of all the confounding and confusing things we experience.

Stories played a crucial role in ancient cultures. As people gathered around the fire, the older generation would tell stories to the younger. They would tell these stories to entertain — even ancient people had challenges in putting the kids to bed. They would tell these stories to instruct, to explain how various people were to act in the culture, to explain the roles they were to play. And in the telling of these stories they would know of their place in the tribe and their place in the universe. The oral traditions and folklore were transmitting a worldview, a sense of the self. By learning these stories ancient peoples could find their own place in the world. The Bible is far more than an oral tradition, eventually written down, and passed from generation to generation. As we said above, the Bible stands out among all traditions, among all texts, among all stories because it is true.

The Bible is a unique story by a unique Author, God. And because it is God's story, it is true. And because it is true, it gives us a true account of the world and of our place in it. As we listen to the Bible's story, we begin to understand where we fit in and how the moments in our lives and the things around us fit together. We begin to make sense of our world and of our lives when we understand the story.

The Bible is a great story. It is a true story. It is the story that makes sense of us, of every moment, whether those moments are utterly confounding or seemingly insignificant.

THE MAKING OF A GOOD STORY

Stories tend to have a few things in common. A good story has a beginning, a middle, and an end. The biblical story begins at the beginning, the beginning, that is. We look around the world and we see everything: sky, land, flora and fauna, animals of all sorts. Where did all this come from? The Bible starts us off with a most fascinating scene. There is darkness and deep and formlessness and void. Into all of this primordial chaos, God speaks and brings to life all that there is.

The deep, the waters, are separated and the heavens and then the land appear, bringing form to formlessness. The land, the air, and the seas are then filled with creatures, filling what once was void. This is some beginning.

The middle is worth looking at as well. It is a series of twists and turns, unexpected setbacks, and unexpected advances. And then there's the end. The classic story always has the happy ending, especially if it's a Disney movie. Everyone comes out a winner — except the really bad guys. Sometimes, though, the endings are not so happy, leaving things unresolved and unsolved.

Back in the nineties there was a critically acclaimed television series called Homicide: Life on the Street, following the lives and work of homicide detectives in the city of Baltimore. Critics hailed it for its reality, for its rawness. Unlike most cop shows, this one tended not to glamorize police work. Scenes of bored cops reading the paper in the break room hadn't made the cut in previous television cop shows. While critics hailed it, the series languished in ratings and the network eventually pulled the plug, canceling the series. Apparently, the city of Baltimore didn't find the series all that flattering, either.

One of the reasons people think this show tanked among a watching public is that a number of the cases in the episodes went unsolved. They didn't always catch the bad guy, sometimes never even getting so much as a suspect. No resolution, no solution, no happy ending. Homicide: Life on the Street was sort of like the line from C. S. Lewis's Narnia," always winter and never Christmas." Unlike some of the episodes on Homicide, the biblical story has a happy ending. That happy ending, however, doesn't come cheaply or easily.

A good structure of a beginning, middle, and end makes for a good story. But it's not all you need. The plot makes the story. The better the plot, the better the story. In fact, the better the plot, the more interesting the characters in the story.

We've all been disappointed by a movie that has one of our favorite actors. We watch in anticipation only to find that, no matter how good our favorite actor is, the story is awful, really bad — predictable plots, lack of imagination, no twists, bad dialog. On the case of the DVD or on the Netflix website, there should be a movie cop, instructing us, "Move along, folks, there's nothing to see here."

TRACING THE PLOTLINE

The story of the Bible has not just any plot, but the best plotline of them all. In fact, its plotline of fall and redemption becomes the template for any good story, any good novel, and any good movie. The biblical plot involves "trouble in paradise," that is, the original trouble in the original Paradise. It also involves a resolution, a solution. We could actually identify four elements to the biblical plot. They are:

Creation Fall Redemption Restoration
These follow the flow of the biblical narrative itself. We start off with creation in Genesis 1–2. This is a world of harmony, of perfect peace. But it doesn't last long. Right on the heels of the creation account comes the fall in Genesis 3. The fall, shattering the peace that reigned over the created order, becomes one long and thick strand, winding its way through Scripture and on through history right up to the present day.

But the fall is not the only reality governing biblical and post-biblical history; it's not the only strand of the plotline. Also in Genesis 3, right alongside the fall of humanity into sin and the curse, God offers the promise of redemption in the seed. Like the fall, the plotline of redemption, the plotline of the seed of the woman who will undo the effects of sin, also runs through biblical history. The plotline of redemption culminates in the four gospels and the birth, life, death, and resurrection of Jesus Christ. The plotline of redemption carries right on through to the present day.

The Old Testament books anticipate the coming of redemption against the backdrop of creation and fall. The four Gospels speak of the Redeemer and his work of redemption. Acts and the New Testament Epistles unpack the work of Christ for the church, explaining the meaning of his work and his words for the very first generation of Christians and for us.

Like the hub of a wheel, redemption is at the center of the story and fans out like spokes through the biblical narrative. The individual stories, those spokes on the wheel, catch our eye and as we read them, they lead us right to Christ and his work on the cross.

That leaves one last book, Revelation, and one last piece to the plotline of the story, restoration. Christ's death and resurrection set in motion the beginning of the end. Theologians call this the already/not yet, or the even more sophisticated-sounding term, realized eschatology. These terms refer to the kingdom, the eternal kingdom that the prophets of the Old Testament couldn't stop talking about. Amos talks about a future time, after peeling off a thickly layered judgment, when the "plowman shall overtake the reaper and the treader of grapes him who sows the seed" (Amos 9:13).

Imagine, the crops are so heavy, so abundant, that they can't even be harvested before it's time to plow up the field for the next planting. Imagine, so many grapes that they can't even be treaded. That's a lot of wine — or grape juice, if you prefer.

Ezekiel envisions a massive temple all decked out and filled with the glory of God. It takes him eight long chapters just to describe it (Ezekiel 40–48). These and many, many other prophecies are all about the future kingdom, the visible and unmitigated, unrivaled, unsurpassed reign of God over all things.

When Christ rose again from the dead and ascended into heaven, he set in motion the kingdom. Building on a score of Old Testament prophecies, Jesus is the Davidic King and his kingdom has started. But there is much more to his kingdom that has not started. That's why theologians call this the already/not yet. Jesus is already ruling as King; the kingdom has come, but only initially. There is more reign to come, more kingdom to come. That's the not yet part.

Many use the term eschatology to refer to this subject, a word taken from the Greek which means the study of last things or the study of the end times. We'll use the term restoration, and even the term consummation, to speak of this fourth and final piece to the plotline of the biblical story.

ON TO THE STORY

So we move from creation, then next to the fall, then next to redemption, and then finally to the restoration and consummation. We go from Genesis 1 to Revelation 22, from the eternity before time, through all of human history, and on to eternity future. That's one big story. Now you can see why breaking it down into creation, fall, redemption, and restoration helps you get a handle on it.

These four pieces to the plotline pop up all over the pages of Scripture. Getting the big picture of this biblical narrative helps make sense of all the various details in Scripture, as well as all the details of theology. And, as we'll see, it even helps make sense of your life. In fact, apart from this story nothing makes much sense at all.

This is just a quick picture of each of the four stops of the plotline. The next four chapters treat each one with a much more in-depth treatment. Time to move out to the deep end.

---

Excerpted from "Welcome to the Story"
by .
Copyright © 2011 Stephen J. Nichols.
Excerpted by permission of Good News Publishers.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

---