Like some wacky, delightful dream . . . The family truth the father tries to hide, the discoveries of young manhood son Max seeks to find—there's just so much of everything going on in these pages that captured my attention completely in this charming novel about function and dysfunction, giving and loving, so much that made me wonder, made me laugh.” —Alan Cheuse, "All Things Considered", NPR
“The characters immediately drew me in to this funny, heartbreaking novel—they are brilliantly alive. Karim Dimechkie is one of the most psychologically attuned, wise, and evocative young novelists I've read. Read this startling debut.” —Kevin Powers, author of the bestselling National Book Award Finalist THE YELLOW BIRDS
“Quirky, funny, often poignant . . . Dimechkie is at his best when he's inhabiting the inner mind of a boy uncertain how to navigate a grown-up world where everybody is carrying at least a few secrets.” —Oprah.com, Best Books of Spring
“Karim Dimechkie is a promising young writer with a fresh, subversive take on the exile and immigrant experience and the stains it leaves on those who survive it or inherit it. Here's a talent to watch and follow.” —Jim Crace, Whitbread Award Winner, National Book Critics Circle Award Winner, and Booker Finalist
“Sentimentality sometimes seems like a given in coming-of-age stories; fortunately, Karim Dimechkie's debut, Lifted by the Great Nothing, avoids it at every turn . . . A rendering of a family torn apart not only by a civil war, but by a stubborn unwillingness to concede to the differences within itself, Lifted by the Great Nothing is awkward, challenging, and funny. It's sharp and frank—and, like any good family, it stays with you.” —The Daily, the Paris Review blog
“A hugely original, big hearted, and staggering debut. Karim Dimechkie's talent leaps off of every page. I know his book will stay with me a very long time.” —Philipp Meyer, author of the bestselling Los Angeles Times Book Prize Winner AMERICAN RUST and bestselling Pulitzer Finalist THE SON
“[A] soulful rumination on fathers and sons and one boy's coming of age.” —San Francisco Chronicle
“A raw, warm, hilarious, and fearlessly revealing tale of growing up; a 21st-century American bildungsroman; and above all, a story of the love between a father and son. Insightful, reaching, and heart-breaking, this brilliant debut novel is a pure original.” —Smith Henderson, author of FOURTH OF JULY CREEK
“[A] whip-smart novel about immigration, identity (sexual, social, political) and the inevitable end of innocence.” —MORE Magazine
“Dimechkie torches the barriers of race, gender, nation, and sexuality in this modern family portrait. There are no types or caricatures—only unforgettable voices. Open it as soon as possible.” —Dayo Olopade, author of THE BRIGHT CONTINENT
“Funny, poignant and heartbreaking, a true-to-life coming-of-age novel . . . Dimechkie is a splendid storyteller, lacing his prose with apt and unexpected analogies and metaphors . . . Dimechkie got everything right.” —Minneapolis Star Tribune
“Since putting this book down, I have been unable to shake it. The bewildering emotional range in these pages—sidesplitting humor, devastating loss, and magnificent hope—strike at the truest chords of what it is to be human.” —Mary Miller, author of THE LAST DAYS OF CALIFORNIA
“Dimechkie accomplishes that great trick: he makes us grip the book we're reading more tightly while anticipating all of his wonderful books yet to come.” —Rakesh Satyal, author of BLUE BOY
“Lifted by the Great Nothing plays a fine-tuned rainbow of delicate emotions like a harp.” —DuJour Magazine
“Tender, hilarious, and hyper-observant, Lifted by the Great Nothing is the best novel about cultural confusion I've read in ages. Dimechkie combines the environs of small-town America with global situations in a way that is breathtaking.” —Karan Mahajan, author of FAMILY PLANNING
“Dimechkie's character-driven coming-of-age novel is less about the immigrant experience than about a literal and figurative journey of self-discovery. It is also a love story between father and son, yes, but also between Max and the older woman doctor who lives across the street. And in a novel featuring Lebanon, it is no surprise that politics and social justice also play a part. All of these disparate elements come together seamlessly as Max struggles to deal with the new realities of his life.” —Booklist
“A finely nuanced look at race, gender, and power in American society. Dimechkie is at his best when allowing his great development of character . . . A promising debut penned in vivid, suspenseful prose that gives a new spin to the classic tale of fathers and sons.” —Kirkus Reviews
“Dimechkie writes without restraint, and the book covers homosexuality, racism, identity politics, and immigration . . . A well-written, engaging story . . . showing a writer with true potential.” —Publishers Weekly
“Endearing . . . An exhilarating and devastating encounter with disorientation.” —San Antonio Current
03/30/2015
Dimechkie’s debut is a coming-of-age tale loaded with themes and ideas. Max lives in New Jersey with his father, Rasheed, a Lebanese transplant whose mantra is “When we are in America, we are Americans.” Max knows little of his mother, who died when he was very young. Rasheed is a mostly solitary person—despite a brief and disastrous affair with a much younger woman named Kelly, who encourages Max to press his father for details about Max’s mother. Years later, Kelly writes a letter explaining the ways that Rasheed lied to him, at which point Max is already mostly estranged from his father, because of Rasheed’s racism in the face of Max’s friendship with a much older African-American neighbor. Frustrated and confused, Max leaves for Beirut to ferret out the truth about his family. Dimechkie writes without restraint, and the book covers homosexuality, racism, identity politics, and immigration. Eventually, Dimechkie’s wealth of themes gets away from him, and he is unable to give his ideas the nuance they deserve. The book is a well-written, engaging story, a bit too overloaded but nevertheless showing a writer with true potential. (May)
2015-03-04
Twelve-year-old Max's father, Rasheed, is determined to give Max everything he longed for throughout his own childhood in Lebanon, but he can't prevent their growing alienation as Max becomes a teenager and seeks out his Lebanese heritage. Growing up in New Jersey, Max has never heard his father talk about "old Lebanese friends or family or religion or politics." Rasheed's friends are Tim, Max's basketball coach, and their neighbor Mr. Yang, a fellow immigrant. For Rasheed, spending time with Mr. Yang is a respite from his "foreignness in other social environments." But after Max chokes on a glob of candy at a party and nearly dies—saved only by a deft use of the Heimlich maneuver—the shock finally prompts Rasheed to talk about Max's mother and their extended family, who were all murdered in Lebanon. What Max needs, Rasheed realizes, is a mother. He immediately finds a 22-year-old co-worker named Kelly to become his girlfriend and moves her into their home. Kelly, however, is more interested in Max than in his father—cuddly and affectionate, she slips into bed with Max at night and shows him how to masturbate. When Kelly runs off with their neighbor Nadine's boyfriend, Max, now in eighth grade, seeks comfort in Nadine, driving a wedge between himself and his father. This rift is cemented when, in an overused deus ex machina, Max finds out that his mother is still alive and heads to Beirut to find her. Despite the tired plot device, this promising debut offers a finely nuanced look at race, gender, and power in American society. Dimechkie is at his best when allowing his great development of character, rather than forced plot points, to propel the narrative. A promising debut penned in vivid, suspenseful prose that gives a new spin to the classic tale of fathers and sons.
