OCTOBER 2023 - AudioFile
Steve West gives a lively performance of this fantasy/romance, voicing each mortal, immortal, and undead character with the requisite humor, sarcasm, and sinister whispers. Fox D'Mora, a bit of a rake, is posing as a medium, though as the godson of Death, he has an unusual advantage. When Viola Marek, vampire and real estate agent, calls on him with a poltergeist problem, Fox is alarmed to discover that Death nowhere to be found. They soon find they're all players in a deadly game. West voices the narrative in a rich British accent and shifts smoothly into each character's voice. He conveys all the pain and longing felt by Fox and his long-lost lover when they're unexpectedly reunited after centuries apart and have to face their demons in order to survive. E.E.C. © AudioFile 2023, Portland, Maine
Publishers Weekly
06/12/2023
BookTok sensation Blake (The Atlas Six) uses a motley supernatural cast to explore themes of love and sacrifice in this irreverent but occasionally tedious tale narrated by Death itself. (Death, it turns out, is “fantastically verbose, and transcendently literate.”) Viola Marek is a realtor (and a vampire) trying to sell a haunted mansion. The only one able to see the specter in question, Viola discovers an unsolved murder and a family curse tying said ghost to the house. To solve the mystery, she’ll need help from angels, a grim reaper, demons, a demigod, a siren, and a vampire. Meanwhile, Death mocks them all. The large cast proves an impediment to the plot, with the whodunit taking a while to find its footing as all are introduced. Death’s attempts at snarky humor also slow the pace, making the narration clunky and often redundant. Still, the surprisingly somber ending will have readers contemplating the costs of love and the power of facing one’s demons. It’s not perfect, but Blake’s fans and readers looking for a sassy paranormal mystery will find plenty to enjoy. (Aug.)
From the Publisher
PRAISE FOR THE ATLAS TRILOGY
"The Atlas Six introduces six of the most devious, talented, and flawed characters to ever find themselves in a magical library, and then sets them against one another in a series of stunning betrayals and reversals. As much a delicious contest of wit, will, and passion as it is of magic, this book is half mystery, half puzzle, and wholly a delight." — Holly Black, New York Times bestselling author of The Book of Night
"Lethally smart. Filled with a cast of brilliantly realized characters, each entangled with one another in torturously delicious ways, The Atlas Six will grip you by the throat and refuse to let go. Olivie Blake is a mind-blowing talent." — Chloe Gong, New York Times bestselling author of These Violent Delights
"Compelling, entertaining, and addictive. The Atlas Six is academic Darwinism: survival of the smartest with a healthy dose of magic." — T.L. Huchu, author of The Library of The Dead
"This chilling story of ambition and magic will make you question your own morals as you grow to love (and hate) its fascinating, ruthless cast of characters. I utterly devoured this book." — Amanda Foody, New York Times bestselling co-author of All of Us Villains
Kirkus Reviews
2023-08-19
The latest in a series of rereleases from a prolific fantasist’s previously self-published works is a contemporary spin on the fairytale “Godfather Death.”
Viola Marek is an aswang, a shapeshifting vampire from Filipino folklore. She’s also a Chicago real estate agent trying to sell a mansion even while the ghost of its last owner, Thomas Edward Parker IV, is doing his supernatural best to block the sale. In a desperate attempt to earn her commission, she hires Fox D’Mora, Death’s mortal godson, to use his connection to get the ghost to leave. Unfortunately, Death is unavailable: He’s been kidnapped, and to get him back and prevent a worlds-spanning catastrophe, Fox, Vi, the ghost, and assorted other supernatural creatures will have to enter a high-stakes gambling game that usually only immortals can play…but rarely win. The story begins with an unusual blend of myth, fairy tale, and cosmology and inevitably descends to an almost unbearable level of sentimentality, which is simultaneously a refreshing change from Blake’s usual tableau of self-involved, selfish characters who seem driven toward tragedies of their own making. Blake could definitely do a better job at showing the love between characters rather than merely telling the reader that they’re in love. She also has an unfortunate tendency to skip potentially intriguing bits of backstory if they don’t immediately drive the plot along, which is why readers never learn anything about Fox’s childhood and what it was actually like having Death as a parent. Nor does she explain why only two of the four archangels, Gabriel and Raphael, play outsize roles in determining the order of the cosmos, while Uriel and Michael are nowhere to be seen. Bits of anachronism—like the use of a rubber band as aversion therapy 200 years ago or the presence of a magical wristwatch from a time long before watches were common—might be intended to be Pratchett-style humor or chalked up to magic? It’s hard to tell what’s intentional and what is simply careless. Now that Blake has a traditional publisher, perhaps the editors of her future novels will guide the author to address these issues when they arise.
A reasonably charming urban fantasy that could have used a more rigorous edit before primetime.
